An interactive installation in collaboration with Koyanagi Junji
June 2004, Tokyo
conceptual sketches and photos of Rebound I performance
installation live recording >>
Sounding out invisible territories. Inspired by the bat’s use of echolocation to sense its surroundings, the participant to this installation is challenged to be both emitter and recipient of feedback coming from struck piano chords suspended in space when hit by a sounding pendulum, the medium. Based on his own sense of hearing, the participant is asked to mentally chart out the positions of the piano chords like vectors in space.
cheryl.atelier 